It’s worse when the girl is shown being sympathetic towards his cause. In this film, he actually takes it a step further and sets up a tea shop, so he can make some money while staring at her house’s windows. Rajini Murugan, despite a horribly written love track in which Murugan follows the mindnumbingly mundane technique of standing outside a girl’s house until she budges. And that’s one of the chief reasons I couldn’t really summon too much dislike for The director allows himself to get carried away by the masala action template now and then, only to stop himself at the last minute and seek recluse in comedy. Later, a lorry is on course to running over some important characters, but at the last minute, an innocent dog comes in the way.
In another scene, a man ends up dead, and just as you wonder if it’s all becoming too serious, he wakes up. For instance, just as a panchayat scene seems set to spill into bloodshed, Murugan makes a joke and the whole scene backtracks into comedy territory.
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And perhaps because Ponram also remembers his original promise of keeping the film free from violence, no scene is really allowed to get too serious, despite the presence of a conventional villain in Ezharai Mookan (Samuthirakani). There’re panchayat fights that threaten to spill over into violence. Grand functions are organised when a girl attains puberty. Ponram is well-aware of this, and smartly allocates quite a bit of time to romanticising Madurai’s culture. Only actors of the mould of Sivakarthikeyan, who enjoy tremendous fan-following in interior Tamil Nadu, could make these films work. Storyline: A couple of friends try to make something of their lives in Madurai Also, like in many Rajinikanth films over the years, Murugan stands up for Indian culture, and makes a statement against NRIs who don’t find the time to visit their parents.Ĭast: Sivakarthikeyan, Keerthy Suresh, Soori, Samuthirakani Like when they test-drive an Audi and Thothathiri refers to the car’s airbag as a balloon. There’s plenty of such silly comedy in the film, mainly featuring Murugan and his friend, Thothathiri (Soori). In another scene, he goads Karthika’s father by playing Rajathi Raja’s ‘Mama un ponna kudu’.
Pedarayudu (the Telugu remake of Nattamai), as he distributes money to the hapless, poor villagers. There’s more Rajinikanth referencing when Murugan imagines himself as a rich, gracious man, and you’re shown an imaginary sequence in which he’s dressed up as Rajinikanth in Nee oru dhadava sirichaa, nooru dhadava sirichaa madhiri. At one point, Karthika’s father even says, “ So serious is he about his admiration for Rajinikanth that when he wishes to warn his daughter, Karthika (Keerthy Suresh), against falling in love with Murugan, he simply plays a clip ofĪnnamalai that has Rajinikanth advising his daughter in similar circumstances.
Rajini Murugan (Sivakarthikeyan) is so named by his father’s dear friend, a diehard superstar fan. It’s perhaps then appropriate that he is named after the biggest star of them all. Perhaps that’s why dozens of little stars come together to form the title. Rajini Murugan makes it amply evident that Sivakarthikeyan, as he has done earlier in his career, is quite capable of making a below-average script seem average… sometimes, above-average even. It’s everything you’ve seen already, but you know the thing that differentiates stars from actors? They’re able to take your mind off the silly story they’re able to make you forget that the plot is flimsy, that the songs (even if catchy) are excessive, that the love story is regressive. Rajini Murugan that will even startle you, let alone blow your mind.
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